Why wasn't Martin Guerre better?
It was, by far, the most anticipated musical for me ever. I was SO excited by it. And then... I mean...it was okay. I still love things about it. But overall, it just wasn't as good as Claude-Michel Schönberg and Alain Boublil's previous two (Les Miz and Miss Saigon). Yes, they tweaked it and re-released it. But they didn't fix the actual problem. They added new songs that were great. Sure. But they ruined the wonderful orchestrations of the first version by cheaping out on the second version. Overall, I like the original version better, but the re-work included Live With Somebody You Love and Justice Will Be Done which were both wonderful. I can only imagine if they'd had better orchestrations. But....
Anyhow, the actual problem... the story.
When I first looked up Martin Guerre when I heard that it was their next musical (because I'd never heard of Martin Guerre), I saw that the movie Sommersby was based on it. I loved that movie! So intense and emotional and powerful. Perfect musical material!
For those of you who aren't in the know, Martin Guerre is the story of an imposter. It's based on a real individual. After the real Martin Guerre left his wife and son, someone showed up claiming to be him. He lived with Guerre's wife and son for three years, but then was eventually discovered. The real Martin Guerre retuned for the trial, etc.
Here's the wikipedia on him: https://en.wikipedia.org/wiki/Martin_Guerre
*SPOILERS: The movie, however, left people in the dark over whether the man was an imposter or not (though it implied he was), and he died in order to save all the good work he'd done, the honor of his wife, etc. And that sacrifice was what made it powerful.
The musical followed the truth a bit more, I guess, and you knew the man was an imposter the entire time. And it just wasn't that powerful. Man I wish they'd just done Sommersby set to great music. I mean, sure, call it Martin Guerre. But...there you go.
Anyhow, still a loved show of mine. Particularly the original. I mean I only know it from the cast recordings, and because it wasn't popular enough there was never a complete recording, which is unfortunate. My wife actually got to see it in London when it was on originally. She speaks fondly of it.
I'd still call Martin Guerre a good show, overall. I'd still say it's one I like a lot. There are some really great numbers in it too. That's as comparted to their fourth effort, The Pirate Queen, which just stunk up the universe.
I really wish they'd write another one. They, apparently, having had the mega-huge success with Les Miz and huge success with Miss Saigon, and then faltering with Martin Guerre and taken a huge old face plant with The Pirate Queen, decided they'd done enough and have no new ambition. That's too bad. Rogers and Hammerstein had some less successful shows. They just kept on writing. I sure wish Schönberg and Boublil had done 10 or so instead of 4. But it seems not meant to be. Maybe they secretly have one last triumph up their sleeves. I doubt it. I mean their last work was 2007. Seems clear they quit.